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Martin Blázquez (Madrid, 1973) creates a reality with its distinct look that transcends the very object photographed
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Oppose the careful construction of the image, capturing the moment, chasing the complicity of the viewer through an almost pictorial impact.
His willingness symbolic leads to simplify and abstract reality, discovering new camera with its sensory and emotional aspects of everyday objects, and creating images where light and color, ambiguous and uncertain, we confuse the real with the imaginary.
With their close-ups transformed into unrecognizable objects intranscendentes, usually ignored, thanks to the study of lines, textures, volumes, chromate and other compositional elements, they become aesthetic images with a profound visual impact, accepting that the photographer is who should provide the meaning and beauty to their photographs, and not the objects they contain.
In his photographic universe 'allegedly' is never about 'being', the light becomes the subject, colour 'is' but not' is', the vacuum becomes the real and the real is transformed into the point of Fleeing from real vacuum. The black is a 'blank canvas', and white to the far absence of color.